Dehiscent bodies : from "Le Kid" to Eleutheria
Intercorporeal performances and the hauntings of history in Waiting for Godot and Endgame
"This visible flesh" : Krapp's Last tape and Happy days
Mimes and fragments : corporeal laboratories
The flesh of the screen and the "eye of prey" : Beckett's Film
Unhomely semblances and the televisual matrix
The late theatre : performing traces of embodiment
Mutated bodies : stage performances of Beckett's late prose texts
Conclusion : re-embodying Beckett's drama in the twenty-first century.
