1. Introduction: different trains / Craig Ayrey
2. Stravinsky's Symphonies: accident or design? / Stephen Walsh
3. Transcription and recomposition: the strange case of Zemlinsky's Maeterlinck songs / Derrick Puffett
4. Symphony and symphonic scenes: issues of structure and context in Schumann's "Rhenish" Symphony / Michael Musgrave
5. The poetry of Debussy's En blanc et noir
6. Poem as non-verbal text: Elliott Carter's Concerto for Orchestra and Saint-John Perse's Winds / Jonathan W. Bernard
7. Birtwistle's secret theatres / Jonathan Cross
8. The narrative impulse in the second Nachtmusik from Mahler's Seventh Symphony / Kofi Agawu
9. "Von heute auf morgen": Schoenberg and the New Criticism / Alan Street
10. Misleading voices: contrasts and continuities in Stravinsky studies / Anthony Pople
11. Immortal voices, mortal forms / Carolyn Abbate
12. "So who are you"? Webern's Op. 3 No. 1 / Dai Griffiths
