Emile Mâle. L'art religieux du XIIIe siècle en France: étude sur l'iconographie du Moyen Age et sur ses sources d'inspiration, 1898 / Alexandra Gajewski
Bernard Berenson. The drawings of the Florentine painters classified, criticised and studied as documents in the history and appreciation of Tuscan art, with a copious catalogue raisonné, 1903 / Carmen C. Bambach
Heinrich Wölfflin. Kunstgeschichtliche Grundbegriffe: das Problem der Stilentwicklung in der neueren Kunst, 1915 / David Summers
Roger Fry. Cézanne: a study of his development, 1927 / Richard Verdi
Nikolaus Pevsner. Pioneers of the Modern movement from William Morris to Walter Gropius, 1936 / Colin Amery
Alfred H. Barr, Jr. Matisse: his art and his public, 1951 / John Elderfield
Erwin Panofsky. Early Netherlandish painting: its origins and character, 1953 / Susie Nash
Kenneth Clark. The nude: a study of ideal art, 1956 / John-Paul Stonard
E.H. Gombrich. Art and illusion: a study in the psychology of pictorial representation, 1960 / Christopher S. Wood
Clement Greenberg. Art and culture: critical essays, 1961 / Boris Groys
Francis Haskell. Patrons and painters: a study in the relations between Italian art and society in the age of the baroque, 1963 / Louise Rice
Michael Baxandall. Painting and experience in fifteenth century Italy: a primer in the social history of pictorial style, 1972 / Paul Hills
T.J. Clark. Image of the people: Gustave Courbet and the 1848 revolution, 1973 / Alastair Wright
Svetlana Alpers. The art of describing: Dutch art in the seventeenth century, 1983 / Mariët Westermann
Rosalind Krauss. The originality of the avant garde and other Modernist myths, 1985 / Anna Lovatt
Hans Belting. Bild und Kult: eine Geschichte des Bildes vor dem Zeitalter der Kunst, 1990 / Jeffrey Hamburger.
